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These flutes now appear to be housed at The Field Museum in Chicago as catalog numbers 260972 through 260975 in the Paul S. They were connected by a common network of trade routes that made materials and products available from within the network as well as from all over the United States.
The common traditions that these cultures shared is called the Hopewell Tradition (aka the “Hopewell Culture”) and the common trade routes are called the Hopewell Exchange System ([Price-DT 2008] pages 274–277).
They identified several distinct phases, based on the stratification of the cave: ).
The cross-hatching, rectilinear, and spiral geometric designs were rendered with cane torch charcoal (Carstens and Di Blasi 2004; Crothers et al. In November 2010, Mike Jones made a replica of this flute based on measurements of the picture, and provided this image of his creation: In 1915, an archaeological team from the Peabody Museum led by Samuel J.
Guernsey excavated four reed flutes, each with a single finger hole.
They were located in Cave 1 on the South side of Kin-Boko Canyon (also called “Kinboko” and “Kin Boo Koo”), on the Western side of Marsh Pass, South West of Kayenta in North Eastern Arizona.
The flutes were designated items 31 to 34 and described in [Kidder 1919], page 186: These range in length from 4 inches to 4¾ inches.